digitallineart: Unique order in the chaos of digital lines

Today, 162 works. By Sunday, 15 November, none of them.

Each piece is generated once, straight from a formula, and never remade. The lines land wherever the math puts them; the colour falls where chance decides. Nothing on this wall is a print or a copy. What hangs here now will be gone before you think to look again, and something that has never existed will take its place.

Sunday, 1 Nov

162 works so far 11,313 shapes

Hung today, 1 November · leaves the wall on 15 November.

Stoic Brook toward Grading — 50 sundials — Stoic Brook toward Grading

What the Cape from Late Changing — 58 butterflies — What the Cape from Late Changing

When the Stained Canyon under Weighing — Kikkō, 10 elements — When the Stained Canyon under Weighing

The Basin up Ocherous Toiling — 48 tractrices — The Basin up Ocherous Toiling

Resolute Border amid Moving — 41 trapeziums — Resolute Border amid Moving

Blended Basin round the Setting — 125 flourishes — Blended Basin round the Setting

When the Reasonable Bluff through Abetting — 98 tornadoes — When the Reasonable Bluff through Abetting

Dainty Cascade Against Liberating — Kagome Lattice, 19 elements — Dainty Cascade Against Liberating

When Moonless Cavern near Vanishing — Kelp, 75 elements — When Moonless Cavern near Vanishing

The Bluff despite Ample Tracing — 107 six-point stars — The Bluff despite Ample Tracing

The Arch betwixt Textured Drifting — Hexagrid, 147 elements — The Arch betwixt Textured Drifting

The Acre of Lasting amidst Rounding — 125 zigzags — The Acre of Lasting amidst Rounding

What the Amber-toned Acre opposite Crossing — Delaunay Triangulation, 42 elements — What the Amber-toned Acre opposite Crossing

The Candle of Early Around Chiming — 50 harmonographs — The Candle of Early Around Chiming

Gleamy Bloom of Liberating — Ajiro, 50 elements — Gleamy Bloom of Liberating

What the Wan Bedrock toward Plaguing — 146 windmills — What the Wan Bedrock toward Plaguing

Gentle Atoll upon Forming — 29 succulents — Gentle Atoll upon Forming

What the Intact Arch on Stirring — 22 petroglyphs — What the Intact Arch on Stirring

The Basin amid Seemly Anchoring — 71 palmettes — The Basin amid Seemly Anchoring

When Genuine Atoll beyond Changing — 50 tensegrity structures — When Genuine Atoll beyond Changing

Floating Aura on Delighting — Wheat, 56 elements — Floating Aura on Delighting

The Blaze on Glassy Flickering — 114 paisleys — The Blaze on Glassy Flickering

The Bay toward Matronly Anchoring — 111 nests — The Bay toward Matronly Anchoring

When the Bereft Boulder after Dreading — Chainmail, 64 elements — When the Bereft Boulder after Dreading

What the Abiding Basin nearby Passing — Kamon, 20 elements — What the Abiding Basin nearby Passing

The Cairn above Grieving Sundering — 45 superellipses — The Cairn above Grieving Sundering

What Sedate Bluff down Harboring — 99 tesseracts — What Sedate Bluff down Harboring

When Heartfelt Atoll upon Turning — 81 seismographs — When Heartfelt Atoll upon Turning

Solemn-warm Canyon alongside Melting — Tachiwaku, 75 elements — Solemn-warm Canyon alongside Melting

The Bay underneath Homely Tying — Jellyfish, 91 elements — The Bay underneath Homely Tying

When the Pitiless Burial near Perishing — Tomoe, 12 elements — When the Pitiless Burial near Perishing

What Pragmatic Brook before Reaching — Komezashi, 23 elements — What Pragmatic Brook before Reaching

When Chiming Brilliance Around Endearing — 137 hexafoils — When Chiming Brilliance Around Endearing

When Quiescent Border onto Moving — 65 catenaries — When Quiescent Border onto Moving

The Untroubled Acre up Melding — 92 seven-point stars — The Untroubled Acre up Melding

The Alcove of Grave-toned amidst Abiding — 123 gears — The Alcove of Grave-toned amidst Abiding

When Patinaed Basin through Grading — 21 astrolabes — When Patinaed Basin through Grading

The Lucent Beam above the Unfurling — Zonohedra, 28 elements — The Lucent Beam above the Unfurling

Copper Alcove beneath the Bridging — Rain, 50 elements — Copper Alcove beneath the Bridging

What Rooted Arch for Closing — 81 meanders — What Rooted Arch for Closing

Bright Beam nearby the Rejoicing — 41 limaçons — Bright Beam nearby the Rejoicing

The Alabaster for Sunlit Sailing — 109 beetles — The Alabaster for Sunlit Sailing

What Stocky Atoll amid Anchoring — 82 spirals — What Stocky Atoll amid Anchoring

When the Blended Border after Abiding — 28 ammonites — When the Blended Border after Abiding

Amber Atoll nearby Embedding — 59 mandalas — Amber Atoll nearby Embedding

When Reserved Atoll among Engraving — 75 sandpiles — When Reserved Atoll among Engraving

When Known Bay opposite Drawing — 25 molas — When Known Bay opposite Drawing

What the Weighty Brook despite Growing — 83 hearts — What the Weighty Brook despite Growing

The Acre of Neutral with Carrying — 95 mushrooms — The Acre of Neutral with Carrying

The Angelic Blossom by the Whispering — 67 Apollonian gaskets — The Angelic Blossom by the Whispering

The Countrified Arch on the Building — 105 escapements — The Countrified Arch on the Building

What the Balmy Aura up Enkindling — 50 ellipses — What the Balmy Aura up Enkindling

Hardy Acre Inside Resting — 61 contours — Hardy Acre Inside Resting

When Tender Basin up Cycling — 48 waves — When Tender Basin up Cycling

The Aura beside White Arousing — Ogham, 133 elements — The Aura beside White Arousing

Ascending Beam beneath Tingling — 103 catenoids — Ascending Beam beneath Tingling

What the Reflective Basin within Knitting — 54 airfoils — What the Reflective Basin within Knitting

One line. One moment. Never again.

Every work on this wall comes out of code and chance. Nothing is traced from a template, and no filter is laid over it afterwards. An algorithm takes a new random start for every picture and lets the uncertainty do the rest.

The works are made live through the day, one every few minutes, from carefully balanced parameters. Shapes unfold, colours shift and lines cross in ways nobody can predict, and nobody can repeat them either. The rules are strict and the outcome is open, which is why some pictures look as if they had chosen their own path.

Nothing is edited and nothing is made twice. Each picture is what one run of the program produced, and it exists in that one version only. That makes every piece here one of a kind, a fingerprint left by the code: precise and random at the same time, and not made to last.

Whether you collect, make things yourself or just like rhythm in a picture, stop here for a moment. What you find will be gone soon, and nothing quite like it will come back.

Each work is made once and never copied. Go and find yours.

Read the idea behind it