digitallineart: Unique order in the chaos of digital lines

Each piece is generated once, straight from a formula, and never remade. The lines land wherever the math puts them; the colour falls where chance decides. Nothing on this wall is a print or a copy. What hangs here now will be gone before you think to look again, and something that has never existed will take its place.

Sunday

180 works 12,169 shapes

Hung 11 October · leaves the wall on 18 October.

Late Cape through Spinning — 27 Sierpinski triangles — Late Cape through Spinning

What the Bloom off Lithe Singing — 71 Voronoi diagrams — What the Bloom off Lithe Singing

The Unbounded Alabaster beside the Fledging — 94 gears — The Unbounded Alabaster beside the Fledging

Diaphanous Alabaster across the Elevating — 8 astroids — Diaphanous Alabaster across the Elevating

Permanent Canyon via Holding — 103 circle involutes — Permanent Canyon via Holding

What Steady-handed Bog unto Anchoring — 99 labyrinths — What Steady-handed Bog unto Anchoring

Intrinsic Acre with Rooting — Yagasane, 25 elements — Intrinsic Acre with Rooting

The Oaken Basin under Fashioning — 100 spirals — The Oaken Basin under Fashioning

When Hewn Alcove above Carrying — 109 diamonds — When Hewn Alcove above Carrying

Fertile Bog Inside Reaching — Uroko, 50 elements — Fertile Bog Inside Reaching

Dusty Alcove past the Stretching — 119 hendecagons — Dusty Alcove past the Stretching

What the Alabaster outside Rapturous Illuminating — 56 squares — What the Alabaster outside Rapturous Illuminating

Clean Blaze before the Exalting — 6 deltoids — Clean Blaze before the Exalting

What the Sunken Carbon Since Sickening — 132 pentagons — What the Sunken Carbon Since Sickening

See all 180 works in this room

One line. One moment. Never again.

Every work on this wall comes out of code and chance. Nothing is traced from a template, and no filter is laid over it afterwards. An algorithm takes a new random start for every picture and lets the uncertainty do the rest.

The works are made live through the day, one every few minutes, from carefully balanced parameters. Shapes unfold, colours shift and lines cross in ways nobody can predict, and nobody can repeat them either. The rules are strict and the outcome is open, which is why some pictures look as if they had chosen their own path.

Nothing is edited and nothing is made twice. Each picture is what one run of the program produced, and it exists in that one version only. That makes every piece here one of a kind, a fingerprint left by the code: precise and random at the same time, and not made to last.

Whether you collect, make things yourself or just like rhythm in a picture, stop here for a moment. What you find will be gone soon, and nothing quite like it will come back.

Each work is made once and never copied. Go and find yours.

Read the idea behind it