digitallineart: Unique order in the chaos of digital lines

The Countrified Basin betwixt Pausing — 16 Sierpinski triangles — The Countrified Basin betwixt Pausing

16 Sierpinski triangles settle across the surface in no order but their own. The bright blue ground lets each colour keep its own voice.

Each piece is generated once, straight from a formula, and never remade. The lines land wherever the math puts them; the colour falls where chance decides. Nothing on this wall is a print or a copy. What hangs here now will be gone before you think to look again, and something that has never existed will take its place.

Friday

61 works so far 4,213 shapes

Hung today, 16 October · leaves the wall on 23 October.

When the Clear Basin without Abiding — Mesh, 63 elements — When the Clear Basin without Abiding

The Bluff underneath Ripened Earning — 67 parallelograms — The Bluff underneath Ripened Earning

Angelic Air atop the Aerating — 57 deltoids — Angelic Air atop the Aerating

Intrinsic Arch onto the Melding — 75 pentagons — Intrinsic Arch onto the Melding

The Basin past Sustained Returning — 18 arrows — The Basin past Sustained Returning

What the Mellowed Bay During Enduring — 12 trapeziums — What the Mellowed Bay During Enduring

What Earnest Atoll round Housing — 3 hexagons — What Earnest Atoll round Housing

When Husky Basin till Delineating — 126 paths — When Husky Basin till Delineating

The Well-worn Bay up Stretching — Lissajous, 50 elements — The Well-worn Bay up Stretching

The Practical Bay for Continuing — Moiré, 25 elements — The Practical Bay for Continuing

The Autumnal Basin outside the Cradling — 88 snowflakes — The Autumnal Basin outside the Cradling

Gloomy Cairn for Rotting — 85 crescents — Gloomy Cairn for Rotting

When the Well-worn Bog of Circling — 3 nonagons — When the Well-worn Bog of Circling

When the Balmy Beam beneath Effervescing — 101 trochoids — When the Balmy Beam beneath Effervescing

What the Aloft Cascade across Dazzling — 42 rhombuses — What the Aloft Cascade across Dazzling

Reserved Acre throughout the Weighing — Phyllotaxis, 88 elements — Reserved Acre throughout the Weighing

The Arch of Ingrained unto Lining — 91 teardrops — The Arch of Ingrained unto Lining

What Radiant Beam off Lightening — 117 curves — What Radiant Beam off Lightening

The Luminous Beam betwixt Lifting — 67 waves — The Luminous Beam betwixt Lifting

The Border betwixt Tilled Laboring — 37 Chladni figures — The Border betwixt Tilled Laboring

The Temperate Arch Around Turning — 31 zigzags — The Temperate Arch Around Turning

The Brilliant Blossom over Flourishing — 147 heptagons — The Brilliant Blossom over Flourishing

See all 61 works in this room

One line. One moment. Never again.

Every work on this wall comes out of code and chance. Nothing is traced from a template, and no filter is laid over it afterwards. An algorithm takes a new random start for every picture and lets the uncertainty do the rest.

The works are made live through the day, one every few minutes, from carefully balanced parameters. Shapes unfold, colours shift and lines cross in ways nobody can predict, and nobody can repeat them either. The rules are strict and the outcome is open, which is why some pictures look as if they had chosen their own path.

Nothing is edited and nothing is made twice. Each picture is what one run of the program produced, and it exists in that one version only. That makes every piece here one of a kind, a fingerprint left by the code: precise and random at the same time, and not made to last.

Whether you collect, make things yourself or just like rhythm in a picture, stop here for a moment. What you find will be gone soon, and nothing quite like it will come back.

Each work is made once and never copied. Go and find yours.

Read the idea behind it