digitallineart: Unique order in the chaos of digital lines

Today, 146 works. By Sunday, 15 November, none of them.

Each piece is generated once, straight from a formula, and never remade. The lines land wherever the math puts them; the colour falls where chance decides. Nothing on this wall is a print or a copy. What hangs here now will be gone before you think to look again, and something that has never existed will take its place.

Hardy Acre Inside Resting — 61 contours — Hardy Acre Inside Resting

61 contours fill the ground so densely that the eye starts looking for gaps. A stone-grey ground sits behind them, and every line answers it in a different colour.

Sunday, 1 Nov

146 works so far 10,186 shapes

Hung today, 1 November · leaves the wall on 15 November.

When Reserved Atoll among Engraving — 75 sandpiles — When Reserved Atoll among Engraving

Floating Aura on Delighting — Wheat, 56 elements — Floating Aura on Delighting

Ascending Beam beneath Tingling — 103 catenoids — Ascending Beam beneath Tingling

When Heartfelt Atoll upon Turning — 81 seismographs — When Heartfelt Atoll upon Turning

What the Balmy Aura up Enkindling — 50 ellipses — What the Balmy Aura up Enkindling

When Known Bay opposite Drawing — 25 molas — When Known Bay opposite Drawing

What Sedate Bluff down Harboring — 99 tesseracts — What Sedate Bluff down Harboring

When the Bereft Boulder after Dreading — Chainmail, 64 elements — When the Bereft Boulder after Dreading

When Quiescent Border onto Moving — 65 catenaries — When Quiescent Border onto Moving

Gentle Atoll upon Forming — 29 succulents — Gentle Atoll upon Forming

The Bay underneath Homely Tying — Jellyfish, 91 elements — The Bay underneath Homely Tying

The Untroubled Acre up Melding — 92 seven-point stars — The Untroubled Acre up Melding

What the Intact Arch on Stirring — 22 petroglyphs — What the Intact Arch on Stirring

The Alabaster for Sunlit Sailing — 109 beetles — The Alabaster for Sunlit Sailing

What Rooted Arch for Closing — 81 meanders — What Rooted Arch for Closing

Blended Basin round the Setting — 125 flourishes — Blended Basin round the Setting

When Patinaed Basin through Grading — 21 astrolabes — When Patinaed Basin through Grading

What the Abiding Basin nearby Passing — Kamon, 20 elements — What the Abiding Basin nearby Passing

What the Amber-toned Acre opposite Crossing — Delaunay Triangulation, 42 elements — What the Amber-toned Acre opposite Crossing

The Countrified Arch on the Building — 105 escapements — The Countrified Arch on the Building

Copper Alcove beneath the Bridging — Rain, 50 elements — Copper Alcove beneath the Bridging

Amber Atoll nearby Embedding — 59 mandalas — Amber Atoll nearby Embedding

Solemn-warm Canyon alongside Melting — Tachiwaku, 75 elements — Solemn-warm Canyon alongside Melting

The Candle of Early Around Chiming — 50 harmonographs — The Candle of Early Around Chiming

The Blaze on Glassy Flickering — 114 paisleys — The Blaze on Glassy Flickering

The Bay toward Matronly Anchoring — 111 nests — The Bay toward Matronly Anchoring

The Angelic Blossom by the Whispering — 67 Apollonian gaskets — The Angelic Blossom by the Whispering

Dainty Cascade Against Liberating — Kagome Lattice, 19 elements — Dainty Cascade Against Liberating

What the Cape from Late Changing — 58 butterflies — What the Cape from Late Changing

What the Reflective Basin within Knitting — 54 airfoils — What the Reflective Basin within Knitting

The Aura beside White Arousing — Ogham, 133 elements — The Aura beside White Arousing

Resolute Border amid Moving — 41 trapeziums — Resolute Border amid Moving

When Tender Basin up Cycling — 48 waves — When Tender Basin up Cycling

Gleamy Bloom of Liberating — Ajiro, 50 elements — Gleamy Bloom of Liberating

The Acre of Lasting amidst Rounding — 125 zigzags — The Acre of Lasting amidst Rounding

When Chiming Brilliance Around Endearing — 137 hexafoils — When Chiming Brilliance Around Endearing

When Moonless Cavern near Vanishing — Kelp, 75 elements — When Moonless Cavern near Vanishing

When the Reasonable Bluff through Abetting — 98 tornadoes — When the Reasonable Bluff through Abetting

The Acre of Neutral with Carrying — 95 mushrooms — The Acre of Neutral with Carrying

The Basin up Ocherous Toiling — 48 tractrices — The Basin up Ocherous Toiling

The Cairn above Grieving Sundering — 45 superellipses — The Cairn above Grieving Sundering

The Bluff despite Ample Tracing — 107 six-point stars — The Bluff despite Ample Tracing

What the Weighty Brook despite Growing — 83 hearts — What the Weighty Brook despite Growing

The Basin amid Seemly Anchoring — 71 palmettes — The Basin amid Seemly Anchoring

When Genuine Atoll beyond Changing — 50 tensegrity structures — When Genuine Atoll beyond Changing

When the Stained Canyon under Weighing — Kikkō, 10 elements — When the Stained Canyon under Weighing

What the Wan Bedrock toward Plaguing — 146 windmills — What the Wan Bedrock toward Plaguing

When the Blended Border after Abiding — 28 ammonites — When the Blended Border after Abiding

Stoic Brook toward Grading — 50 sundials — Stoic Brook toward Grading

One line. One moment. Never again.

Every work on this wall comes out of code and chance. Nothing is traced from a template, and no filter is laid over it afterwards. An algorithm takes a new random start for every picture and lets the uncertainty do the rest.

The works are made live through the day, one every few minutes, from carefully balanced parameters. Shapes unfold, colours shift and lines cross in ways nobody can predict, and nobody can repeat them either. The rules are strict and the outcome is open, which is why some pictures look as if they had chosen their own path.

Nothing is edited and nothing is made twice. Each picture is what one run of the program produced, and it exists in that one version only. That makes every piece here one of a kind, a fingerprint left by the code: precise and random at the same time, and not made to last.

Whether you collect, make things yourself or just like rhythm in a picture, stop here for a moment. What you find will be gone soon, and nothing quite like it will come back.

Each work is made once and never copied. Go and find yours.

Read the idea behind it