digitallineart: Unique order in the chaos of digital lines

Today, 73 works. By Monday, 16 November, none of them.

Each piece is generated once, straight from a formula, and never remade. The lines land wherever the math puts them; the colour falls where chance decides. Nothing on this wall is a print or a copy. What hangs here now will be gone before you think to look again, and something that has never existed will take its place.

Monday, 2 Nov

73 works so far 4,615 shapes

Hung today, 2 November · leaves the wall on 16 November.

The Aurora of Elated onto Glittering — Ivy, 6 elements — The Aurora of Elated onto Glittering

Serene Acre Around the Rolling — 26 astroids — Serene Acre Around the Rolling

When Rarefied Blossom outside Illuminating — 31 seven-point stars — When Rarefied Blossom outside Illuminating

Methodical Canyon above Standing — 75 molas — Methodical Canyon above Standing

Nocturnal Boulder opposite Mauling — 47 cams and followers — Nocturnal Boulder opposite Mauling

What the Frigid Brine of Chilling — 64 spirals — What the Frigid Brine of Chilling

Certain Border above Pressing — 32 hachures — Certain Border above Pressing

The Cavern beyond Blighted Hounding — 75 astrolabes — The Cavern beyond Blighted Hounding

When Seemly Brook past Dividing — 120 gears — When Seemly Brook past Dividing

When Light Aurora beside Filtering — 150 spirolaterals — When Light Aurora beside Filtering

When Husky Basin within Adjusting — 93 corals — When Husky Basin within Adjusting

Serene Alcove near the Fastening — Rain, 100 elements — Serene Alcove near the Fastening

The Cape outside Amber Cycling — 25 sundials — The Cape outside Amber Cycling

When Muffled Acre Inside Melting — 102 conchoids — When Muffled Acre Inside Melting

What the Grave-toned Brook via Working — 3 springs — What the Grave-toned Brook via Working

When Neutral Alcove by Circling — 83 cardioids — When Neutral Alcove by Circling

When Cultivated Brook Inside Winding — Phyllotaxis, 31 elements — When Cultivated Brook Inside Winding

What the Basin by Untroubled Fording — 3 epispirals — What the Basin by Untroubled Fording

When Earthy Atoll over Cooling — 29 succulents — When Earthy Atoll over Cooling

Homely Bay above Working — 50 hyperboloids — Homely Bay above Working

What the Meditative Bluff onto Stirring — Craquelure, 50 elements — What the Meditative Bluff onto Stirring

Wholesome Bluff amid the Winding — 69 ammonites — Wholesome Bluff amid the Winding

The Neutral Basin Inside the Carving — 88 Chladni figures — The Neutral Basin Inside the Carving

The Bog down Distant Pacing — 80 staves — The Bog down Distant Pacing

What the Bluff beneath Thoughtful Adjusting — 114 octopuses — What the Bluff beneath Thoughtful Adjusting

The Arch of Salted Against Working — 50 arabesques — The Arch of Salted Against Working

When Cool Aura near Flaring — 78 escapements — When Cool Aura near Flaring

What the Sombrous Boulder nearby Ebbing — Ogham, 82 elements — What the Sombrous Boulder nearby Ebbing

The Russet Basin before the Winding — Xicalcoliuhqui, 92 elements — The Russet Basin before the Winding

One line. One moment. Never again.

Every work on this wall comes out of code and chance. Nothing is traced from a template, and no filter is laid over it afterwards. An algorithm takes a new random start for every picture and lets the uncertainty do the rest.

The works are made live through the day, one every few minutes, from carefully balanced parameters. Shapes unfold, colours shift and lines cross in ways nobody can predict, and nobody can repeat them either. The rules are strict and the outcome is open, which is why some pictures look as if they had chosen their own path.

Nothing is edited and nothing is made twice. Each picture is what one run of the program produced, and it exists in that one version only. That makes every piece here one of a kind, a fingerprint left by the code: precise and random at the same time, and not made to last.

Whether you collect, make things yourself or just like rhythm in a picture, stop here for a moment. What you find will be gone soon, and nothing quite like it will come back.

Each work is made once and never copied. Go and find yours.

Read the idea behind it