Something new on the wall every day

Today, 50 works. By next Saturday, none of them.

Each piece is generated once, straight from a formula, and never remade. The lines land wherever the math puts them; the colour falls where chance decides. Nothing on this wall is a print or a copy. What hangs here now will be gone before you think to look again, and something that has never existed will take its place.

When Recollected Basin atop Guarding — 18 cochleoids

When Recollected Basin atop Guarding

18 cochleoids settle across the surface in no order but their own. A bright red ground sits behind them, and every line answers it in a different colour.

Saturday

50 works so far 3,086 shapes

Hung today, 24 October · leaves the wall on 31 October.

The Layered Alcove nearby Melting — 91 heptagons

The Layered Alcove nearby Melting

Hushed Cairn round Staining — 50 Pythagoras trees

Hushed Cairn round Staining

What the Temperate Border before Enduring — Yagasane, 50 elements

What the Temperate Border before Enduring

The Forged Bog throughout Casting — 3 pentomino rectangles

The Forged Bog throughout Casting

The Alcove after Warm Flowing — 55 stripes

The Alcove after Warm Flowing

What the Bog nearby Tranquil Tracing — 25 perspective grids

What the Bog nearby Tranquil Tracing

What Earthen Border by Persisting — 63 chance and order drawings

What Earthen Border by Persisting

The Alcove Against Recollected Cradling — 58 farris wheels

The Alcove Against Recollected Cradling

The Shaped Bog over the Measuring — 39 viviani's curves

The Shaped Bog over the Measuring

The Familiar Atoll for Casting — 13 catenaries

The Familiar Atoll for Casting

The Leathery Basin opposite the Reckoning — 136 cumulus clouds

The Leathery Basin opposite the Reckoning

When the Cold Carbon into Tarnishing — Ogham, 125 elements

When the Cold Carbon into Tarnishing

When Airborne Blaze from Frosting — 7 superquadrics

When Airborne Blaze from Frosting

Estranged Char across the Blackening — 3 pentagons

Estranged Char across the Blackening

When the Meditative Bay through Pacing — 4 conformal grids

When the Meditative Bay through Pacing

Honest Bog outside the Enclosing — Asemic Writing, 70 elements

Honest Bog outside the Enclosing

Organic Bay alongside the Fitting — Chainmail, 50 elements

Organic Bay alongside the Fitting

The Known Arch toward the Bordering — 141 spherical harmonics

The Known Arch toward the Bordering

The Sustained Bay off Plowing — 62 Cesàro curves

The Sustained Bay off Plowing

The Alcove outside Fathomed Spreading — 25 molas

The Alcove outside Fathomed Spreading

The Arch round Weighty Distilling — 25 Cairo tilings

The Arch round Weighty Distilling

The Bog from Olive Seasoning — 5 Archimedean tilings

The Bog from Olive Seasoning

What Unhurried Border round Building — 4 interlocking lines

What Unhurried Border round Building

When Ocherous Bay nearby Following — 96 curves

When Ocherous Bay nearby Following

What the Hazel Alcove onto Sowing — 122 star trails

What the Hazel Alcove onto Sowing

The Honest Bluff within the Inscribing — 40 feynman diagrams

The Honest Bluff within the Inscribing

Abiding Bay above the Growing — 50 Vicsek fractals

Abiding Bay above the Growing

The Cave off Piteous Tearing — 2 poncelet porisms

The Cave off Piteous Tearing

What Rooted Acre Inside Arching — 84 hex signs

What Rooted Acre Inside Arching

When Sedate Basin within Depositing — 75 ball bearings

When Sedate Basin within Depositing

When Intrinsic Bog under Extending — 100 spirals

When Intrinsic Bog under Extending

The Slow Acre after Housing — 35 Smith charts

The Slow Acre after Housing

Pale Basalt via Consuming — 24 circle packings

Pale Basalt via Consuming

The Downy Alabaster circa Shimmering — 140 birdcages

The Downy Alabaster circa Shimmering

What the Tranquil Basin During Delineating — Lissajous, 25 elements

What the Tranquil Basin During Delineating

The Grieving Ash through the Wrecking — 100 menger sponges

The Grieving Ash through the Wrecking

The Grounded Canyon throughout the Depositing — Igeta, 149 elements

The Grounded Canyon throughout the Depositing

The Bog on Ingrained Fitting — 38 conical shells

The Bog on Ingrained Fitting

When Sure Arch amidst Stirring — 108 hexafoils

When Sure Arch amidst Stirring

When Warm Basin in Seasoning — 47 flight routes

When Warm Basin in Seasoning

What the Atoll off Fathomed Tying — 43 labyrinths

What the Atoll off Fathomed Tying

What the Canyon under Distant Continuing — 121 dendrograms

What the Canyon under Distant Continuing

What the Bog by Venerable Brewing — 76 logic diagrams

What the Bog by Venerable Brewing

When Enchanting Brilliance of Lifting — 127 Lévy curves

When Enchanting Brilliance of Lifting

Amber-toned Brook toward the Knitting — 23 rose curves

Amber-toned Brook toward the Knitting

When Remorseless Cavern for Darkening — 130 kepler's cosmos

When Remorseless Cavern for Darkening

The Copper Alcove above Guarding — 50 vega grids

The Copper Alcove above Guarding

The Tarnished Burial down Hounding — 25 times tables

The Tarnished Burial down Hounding

The Ordinary Bluff down Tying — 134 coffee-cup caustics

The Ordinary Bluff down Tying

One line. One moment. Never again.

Every work on this wall comes out of code and chance. Nothing is traced from a template, and no filter is laid over it afterwards. An algorithm takes a new random start for every picture and lets the uncertainty do the rest.

The works are made live through the day, one every few minutes, from carefully balanced parameters. Shapes unfold, colours shift and lines cross in ways nobody can predict, and nobody can repeat them either. The rules are strict and the outcome is open, which is why some pictures look as if they had chosen their own path.

Nothing is edited and nothing is made twice. Each picture is what one run of the program produced, and it exists in that one version only. That makes every piece here one of a kind, a fingerprint left by the code: precise and random at the same time, and not made to last.

Whether you collect, make things yourself or just like rhythm in a picture, stop here for a moment. What you find will be gone soon, and nothing quite like it will come back.

Each work is made once and never copied. Go and find yours.

Read the idea behind it

Back to the wall
The Alcove outside Fathomed Spreading — 25 molas

The Alcove outside Fathomed Spreading

25 molas

25 molas drift over the ground, some touching, most keeping their distance. Each carries its own colour; the bright ochre ground holds them together.

Background colour
The Alcove outside Fathomed Spreading on pigmentum.net (opens in a new tab)
Born
On view until
31 Oct 2026, 00:25
Original
PNG, free download

This work is a single moment, held in lines and colour. Chance decided where every line fell and which colour it took, and it will not decide the same way twice. There is no other version of this picture, and there never will be.

Free to use, even commercially — please credit digitallineart.com (CC BY 4.0 (opens in a new tab)).

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