digitallineart: Unique order in the chaos of digital lines

Today, 35 works. By next Wednesday, none of them.

Each piece is generated once, straight from a formula, and never remade. The lines land wherever the math puts them; the colour falls where chance decides. Nothing on this wall is a print or a copy. What hangs here now will be gone before you think to look again, and something that has never existed will take its place.

Rippling Aurora onto Rejoicing — Asanoha, 75 elements — Rippling Aurora onto Rejoicing

75 elements of asanoha press together into a single, restless field. Against the pale rose ground, no two of them share a colour.

Wednesday

35 works so far 2,671 shapes

Hung today, 21 October · leaves the wall on 28 October.

What the Arch from Tilled Laboring — 27 arrows — What the Arch from Tilled Laboring

What the Atoll beneath Mossy Filling — 89 rectangles — What the Atoll beneath Mossy Filling

What Autumnal Basin before Distilling — 147 pentagons — What Autumnal Basin before Distilling

When Stoic Border across Pausing — 56 polylines — When Stoic Border across Pausing

The Warm Acre nearby Bridging — 21 teardrops — The Warm Acre nearby Bridging

Lean Atoll for the Pacing — 100 hexagons — Lean Atoll for the Pacing

When the Earthen Arch onto Flowing — 75 heptagons — When the Earthen Arch onto Flowing

When the Well-worn Brook amidst Centering — 52 five-point stars — When the Well-worn Brook amidst Centering

Tilled Brook until the Forging — 130 triangles — Tilled Brook until the Forging

Recollected Acre by Opening — 73 eight-point stars — Recollected Acre by Opening

What the Boulder upon Grim Wracking — 76 decagons — What the Boulder upon Grim Wracking

The Diamantine Breath into Cheering — 69 lines — The Diamantine Breath into Cheering

The Dependable Atoll During Shaping — 130 crosses — The Dependable Atoll During Shaping

Divine Cascade through Glazing — 123 six-point stars — Divine Cascade through Glazing

Balanced Arch betwixt Balancing — 118 dodecagons — Balanced Arch betwixt Balancing

The Bay near Old-fashioned Layering — 81 arcs — The Bay near Old-fashioned Layering

Gentle Acre across Damming — 104 circles — Gentle Acre across Damming

What the Dusty Acre outside Bracing — 89 waves — What the Dusty Acre outside Bracing

What the Torn Basalt Around Freezing — 69 paths — What the Torn Basalt Around Freezing

The Ocherous Border unto Flowing — 135 curves — The Ocherous Border unto Flowing

The Unshaken Bay till Casting — 48 seven-point stars — The Unshaken Bay till Casting

The Acre through Antique Melding — 94 crescents — The Acre through Antique Melding

The Imperturbable Bay under Sowing — 50 octagons — The Imperturbable Bay under Sowing

Grim Basalt via Yielding — 5 squares — Grim Basalt via Yielding

Well-worn Arch onto Curving — 100 zigzags — Well-worn Arch onto Curving

What the Arch Against Plain Reckoning — 37 hendecagons — What the Arch Against Plain Reckoning

What the Acre via Temperate Casting — 100 ellipses — What the Acre via Temperate Casting

The Border of Solid along Lasting — 59 grids — The Border of Solid along Lasting

What Intrinsic Atoll behind Tracing — 115 nonagons — What Intrinsic Atoll behind Tracing

The Rooted Bay past Abiding — 8 diamonds — The Rooted Bay past Abiding

The Fragrant Candle after the Glistening — 41 spirals — The Fragrant Candle after the Glistening

One line. One moment. Never again.

Every work on this wall comes out of code and chance. Nothing is traced from a template, and no filter is laid over it afterwards. An algorithm takes a new random start for every picture and lets the uncertainty do the rest.

The works are made live through the day, one every few minutes, from carefully balanced parameters. Shapes unfold, colours shift and lines cross in ways nobody can predict, and nobody can repeat them either. The rules are strict and the outcome is open, which is why some pictures look as if they had chosen their own path.

Nothing is edited and nothing is made twice. Each picture is what one run of the program produced, and it exists in that one version only. That makes every piece here one of a kind, a fingerprint left by the code: precise and random at the same time, and not made to last.

Whether you collect, make things yourself or just like rhythm in a picture, stop here for a moment. What you find will be gone soon, and nothing quite like it will come back.

Each work is made once and never copied. Go and find yours.

Read the idea behind it